Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet. Related Paintings of GIOTTO di Bondone :. | Lamentation over the Dead CHrist | Last Judgment | Allegory of Chastity | Crucifixion (mk08) | Decorative band with figure | Related Artists:
Carl Christian Vogel von Vogelstein (26 June 1788, Wildenfels, Kursachsen - 4 March 1868, Munich), born Vogel, was a German painter.
Son of the child and portrait painter Christian Leberecht Vogel, Vogel was trained early in life by his father. From 1804 he visited the Kunstakademie in Dresden, where he copied many paintings in the Gemäldegalerie and also produced the first of his own portraits.
In 1807 he replied to an invitation from Baron von Löwenstern, whose children he had taught in Dresden, to come to Dorpat in Livland. In 1808 he moved to Saint Petersburg, where he set up a studio in the princely and successfully worked producing portraits of nobles and diplomats.
In 1812 Vogel was finally rich enough to make a long-desired grand tour to Italy, stopping off at Berlin and Dresden on the way, where he painted his parents and Franz Pettrich. From 1813 to 1820 he lived in Rome, where many German artists were active at that time. He tried to run a middle course between the classicising and romanticising schools then prevailing there, with a style of his own closely drawing on that of Raphael Mengs. In Italy he copied a large number of paintings and wall paintings by the old masters. On later journeys he further augmented his collection of copies and in 1860 published a catalogue of them.
Besides religious paintings, landscapes and anatomical studies, Vogel also produced portraits in Rome, of subjects such as Bertel Thorvaldsen, Lucien Bonaparte and - on behalf of the king of Saxony - Pope Pius VII. Vogel much enjoyed Rome, as Ringseis illustrates by this story - in 1818 he received a gift of a bottle of 1634 Rheinwein wine (given by crown prince Louis I of Bavaria in thanks for the decoration of a festal hall) by unanimous resolution of his colleagues
BRAY, Salomon deDutch Baroque Era Painter, 1597-1664
De Bray established himself in Haarlem before 1617, where he is supposed to have been taught by Hendrick Goltzius and Cornelis van Haarlem, and where he married in 1625. He painted history paintings, portraits and landscapes. As a Catholic he probably also made altar pieces for clandestine churches. He cooperated in the decoration of Huis ten Bosch in The Hague. His works draw on the spirit of the Dutch classicism beginning at that time, and are comparable with those of Pieter de Grebber.
De Bray was also active as a designer of silverwork, as a poet, as an architect and as a town planner. As an architect, he was involved in the construction or expansion of Haarlem's City Hall, Zijlpoort, and St. Annakerk (Church of St. Anne), and Nijmegen's city orphanage. One of his poems was set to music by his friend the composer Cornelis Padbru??.
Salomon de Bray was the father of ten children, of whom three (including Jan de Bray) became artists. He probably died of the plague, as some of his children and was buried in the Sint-Bavokerk in Haarlem.
Wilhelmina Lagerholm1826-1917 Konstakademien Lagerholm studerade samtidigt med Malmström såväl vid konstakademien i stockholm som för couture i paris.
